Showing posts with label feminism. Show all posts
Showing posts with label feminism. Show all posts

Wednesday, December 21, 2011

Dollhouse Is Feminist (Part 11: 1x09)

(Written for the video version)

The ninth Dollhouse episode “A Spy in the House of Love” is a partially nonlinear story following the four main Actives in separate storylines that intersect with each other. The first part is a set up that doesn’t follow anyone specifically.

It starts out with Echo as a dominatrix talking to Boyd about her job. I have issues with the portrayal of BDSM here, but I’ll leave that to the previous post “S&M Barbie”. I’ll just point out that Echo’s outfit is incredibly revealing and even though she’s supposed to be dominant, she comes off as just a sex object for the male gaze. Anyway, she talks to Boyd about the importance of trust and how it’s beautiful when a submissive trusts a dominant enough to submit to her. Boyd talks about how it’s dangerous to trust people, and it has the implication that the Dollhouse can’t be trusted and he feels bad for lying to her. Trust and specifically misguided trust is the theme of the episode.

Tuesday, September 27, 2011

Feminist Analysis of Halo Wars

(Written for the video version)

Halo Wars is a real-time strategy game made by Ensemble Studios. This was the first venture outside of the first-person shooter genre and with a company other than Bungie Studios. The writing is cornier than ever, though the dialog never quite tops Halo 3’s “to war”, and despite involving epic things like a Dyson sphere contained in a planet, it’s actually a very simplistic story. It’s a prequel to the main trilogy, set twenty years prior to the events of Halo: Combat Evolved.

It starts out with Captain Cutter of the ship Spirit of Fire narrating about how hard it’s been to reclaim the planet Harvest from the Covenant. Despite the UNSC feeling they own it now, they’re still fighting Covenant off the surface. He then talks to the ship’s AI, Serina, about preparing for dropping troops.
Serina is probably my favorite character in the game, an aloof and sarcastic AI who lampshades some of the cornier aspects of the plot. Her avatar design is much less sexual than Cortana’s. While Cortana’s a naked hologram, Serina wears a normal outfit. She comes off as just a woman, a digital member of the crew, in contrast to Cortana’s appearance setting her apart from the others, though they considered Serina’s clothes having a similar style at one point.

Monday, August 29, 2011

Feminist Analysis of Halo: Combat Evolved

(I wrote this specifically for a Going Rampant video)

The Xbox first-person-shooter Halo: Combat Evolved, made by Bungie Studios, became one of the most popular American games after its release in 2001 and spawned the long-running Halo franchise. A revamped version of the game will be released this November, what we all recognize as a desperate grab for cash but what Halo fans will get anyway because we’re just that geeky. While the success of the franchise encouraged Bungie to appeal to women in later games, the first one was centered on the generic male market with a lot of homages to their mostly male established fanbase. Even though this is the future where all the countries have combined, it looks pretty much like modern day America in space.

Sunday, July 17, 2011

The Bechdel Test is Flawed

The Bechdel test, used for determining female presence in movies, is flawed. It wasn't started to be a concept for serious feminist film analysis; it was just a joke in a one-shot comic where a lesbian character describes her rule for seeing movies. Because it wasn't defined in a sufficiently thorough way, it becomes difficult to use it for analysis.

The original Bechdel test (actually written by Liz Wallace, so it should be called the Wallace test) had three rules:
  1. The film has to have at least two women in it
  2. Who talk to each other about
  3. Something other than a man
The character then notes that Alien passes because Ripley and Lambert talk to each other about the monster.

Tuesday, March 2, 2010

From Here to Misogyny (Angel)


There are very few episodes in Buffy and Angel that I find outright scary. One of the exceptions is “Billy” from season three of Angel. I used to actively avoid it, skipping around it when watching my DVDs, and only fairly recently have I felt comfortable watching it. Instead of a scaly demon or fanged vampire, the titular villain is very human in appearance, and his power evokes human evil. Joss’ thing is that he tries to promote feminism, and “Billy” might be his most overt attempt with a villain that exists as an embodiment of misogyny.

Tuesday, January 19, 2010

GHB and a Keister Egg (Veronica Mars)


I love Veronica Mars. Veronica is my hero. The show is awesome. But I wouldn’t go as far as to say that it could do no wrong. There’s an element of the story that I’ve found a bit disturbing and objectionable, namely the double standard about rape. As Veronica Mars would have it, rape against female persons is a horrific violation that should never ever happen, but rape against male persons is a satisfactory punishment for all manner of crimes.